Kunsthausberlinmarbella Cultural Centre for Contemporary Art

With the establishment of Museo Fred Friedrichi1994, was necessary using a private purchase of a building to hosted artists from around the world, now has a second 600 square meters structure to continue creating artistic contexts, generate knowledge and spread them in society.
Mission: To advance it´s core mission of supporting artistic approaches, the program pretends to create interaction environment between persons and thinking lines.
We introduce Museo Fred Friedrich faced to implement and to re-define a performance space where the art system always has to be alive in a contemporary society that is in continuous changes.

Origin: The launching of the program emerge because of the concerning demand between the social partners and the exclusively artistic field endeavour, so for this Museo Fred Friedrich provided a suitable environment for artistic expression however in Marbella so contemporary art and its deliberation will develop in freedom.

Target: The Museum will provided no parallel platform to display artistic artworks in a regular base with the purpose for calling of awards, conferences and cultural concerts, all straightaway to call public attention where art should have the opportunity to be run out without censor and for this shall be understood the way is art in all its discipline. The united result of this reflection is to encourage actions that increase and re-define this space to show out art, live through art and feel art.

Philosophy: It is a consequence of the birth of a program with big expectations opened for the speech, the retrospection, and with the will to generate contexts and proper motivations. In this sense, the ambience in which the program moves is that of the contemporaneity being located in disciplines merely artistic. The contemporaneity is, therefore, the conductive axis of Museo Fred Friedrich to direct artistic projects, speeches and concerts for the art itself.
The mission: of the program it is to create contexts understood like spaces formed by persons and lines of thought that interact between themselves and react to concrete situations, as well as to generate knowledge and to spread it in the society.
The propuse the fact is that these responsibilities you (present yourself) and speeches (lines of thought), generate in turn new contexts of the contemporary art.
He projected that Museo Fred Friedrich includes, it is named „Fin de Ciel“; the forced question: why „Fin de Ciel“?, well nothing is everything and her, the beginning and the end, of the whole series of stages of our existence, both human and spiritual:: why?.
It is quite known that the set of all these ideas has caused a globalisation, an union, generating an association of cultures that they bear to, to monopolise an infinity of ideas, so much religious, as miscellany of languages, adoption of habits, evaluation of the natural environment.

For it, with all this cultural baggage „Fin de Ciel“ he claims that its sculptures, paintings, facilities and all its Cycles represent two or more cultures that, on having joined, One causes and whose purpose is fundamentally the creation of a New Idea, of Nothing in Everything, of a Beginning to an End, this way with the union of these civilisations they have given like fruit what at present we are.
Then then, the same project, it includes a set of cycles whose philosophy to be continued is specified in: tolerance in the way of thinking and to act, I respect for the critical capacity, social and environmental feeling, diffusion of values like solidarity, equality, public-spiritedness, steadfastness, commitment, promotion to the hard work and the self-critical sense and finally and not for it, less important, the spirituality, which has been the motive propellent, which has done that the man moves and realise big prowesses in the history.
Likewise, to exhibit all these thoughts, the present project as we have repeated previously is content for a series of Cycles, which are separated and joined simultaneously, arming the whole set, with general and specific targets to ends between themselves.
It is necessary to mention, that so much fred as I (Nely), both of different nationalities, have interfered in knowing our cultures and roots, coming again to the fundamental point or of origin of our target, which is the cultures union, he is German and Mexican I, thus although with ideas, and perceptions different from the life we are we work joined towards the same End:
To announce idelogies cultural, and the fruits resultant from the mergers that have been generated and keep on generating.
On having showed its work, the work of the artist is that of reflecting its ideologies, its lacks, its fortitude like human being, presenting before itself before the public: I undress, so that at the moment of its soul, the confiesa are exhibited the history with its very particular way of thinking, but nevertheless, it leaves to every individual a part of the Creative and imaginative Being that each one goes inside, for when already appropriate this analytical thought to its work, gives him the opportunity "to be" part of the environment and to "be" a part of the environment and not of a question in particular, since the important thing the conclusive expositions of this reflection are and so to be able to be part of the memory of the history.
Thanks to so valuable work and support, of the artist and Museo Fred Friedrich it is possible that this project gives the opportunities not only of announcing the fruits of two so distant worlds and simultaneously so nearby, but the union of so many cultures and ideas for future hopes that will have to continue up to the end of these well-known times.

Nely meyer